Trinehilt Hand Forged Damascus Wakizashi | Triquetra Engraved Brass Tsuba | Brown Leather Wrapped Tsuka and Hardwood Saya | Norse Collector Gift | RK-1879

The Trinehilt is a wakizashi, the short companion sword of the Japanese pair, built here with a pattern welded Damascus blade. The curve is deep, the blade broad through the middle with a clear kissaki at the point, and the Damascus pattern flows the whole length of the flat in fine watery bands. The tsuba is a solid oval in brass, engraved with a triquetra, and the tsuka is wrapped in brown leather rather than silk. The saya is dark hardwood with a brown cord.

The wakizashi was the sword a samurai kept when he gave up his katana. Under Tokugawa custom the long sword was surrendered at the door of a house and left on a rack, but the short sword stayed on the belt indoors, which is why so much of the recorded indoor swordwork of the period involves this length of blade. Together the pair made the daisho, literally big and small, and wearing both was the visible legal marker of samurai status. The sumptuary edicts of the seventeenth century made that explicit: commoners and merchants of standing could carry a single short sword, but only the warrior class could wear the pair. The wakizashi was therefore the one Japanese sword most people were actually allowed to own. This one is forged and finished in the Czech Republic.

Specifications

The triquetra, and why it is on a Japanese blade

The triquetra is three interlocking arcs drawn from a single unbroken line, and it turns up carved on Norse and Insular work from the eighth century onward, on the Funbo runestones in Sweden, on Irish manuscript borders and on the hilts and brooches that travelled with them. The single unbroken line is the point: it has no beginning and no end, and that is why it was used for ideas about continuity and about three things bound as one. Later Christian artists read the Trinity into it. Earlier Norse carvers used it as a knot of protection and completeness.

It is not a Japanese motif and we are not going to pretend otherwise. This is a crossover piece: Japanese blade geometry and mounting conventions carrying a Norse and Celtic device, which is exactly what a lot of people who buy from us are looking for. If you want an authentic Japanese tsuba design instead, tell us in the order notes before you buy.

The steel and the pattern

The blade is forged from folded layers of 1095 high carbon steel and 15N20. 1095 supplies the carbon that lets the edge harden. 15N20 carries around two percent nickel, and nickel resists the acid used to finish the blade, so those layers stay bright while the 1095 layers darken. On a curved single edged blade the pattern behaves differently from a straight one: as the blade is bent and the flat is ground back, the layers get cut at a shifting angle, which is why the bands look like flowing water rather than straight stripes.

The blade is heat treated to 58 to 60 HRC. This is a pattern welded blade, not a traditionally differentially hardened Japanese blade, so it has no hamon. What you are looking at along the flat is the layer pattern, and that is the honest description of it.

Engraving, runes and your own design

Use the rune converter on this page to turn a name, a date or a short phrase into Elder Futhark and we will cut it into the steel, the leather or the wood. If you would rather have a Viking pattern than a rune line, choose your own design in the engraving option above the add to cart button and tell us where it goes. Where a piece already carries an engraved design, your chosen engraving replaces it rather than sitting alongside it. On this wakizashi that means a chosen device on the tsuba takes the place of the triquetra. Runes can go on the flat of the blade near the habaki instead, which leaves the triquetra where it is. See the engraving page.

Handling and balance

A wakizashi is a one hand sword that can be gripped with two at a squeeze. It is short enough to bring around in a confined space, which is precisely the job it was built for, and the deep curve means it cuts on the draw with very little effort from the wrist. The brass tsuba adds useful mass right at the hand, so the balance sits near the guard and the tip feels quick.

Leather ito behaves differently from silk. It grips harder when dry, it is less slippery when damp, and it does not fray. It also does not have the fine texture of a traditional silk wrap, which some collectors prefer and others do not.

This is a sharp collector and display sword. It is not a trainer and it is not certified for cutting practice, partner drills or contact work of any kind.

Care

Wipe the blade after every handling and keep a light film of oil on it. Choji oil or plain mineral oil is fine. An etched Damascus surface picks up fingerprints faster than a plain polished one, so be disciplined about it. The brass tsuba and fittings will slowly darken as brass does, which most people leave alone because the patina looks right on a mounted sword. If you want it bright, a soft cloth with a little brass polish brings it back, but keep polish off the blade and out of the engraving. Do not store the sword in the saya for long periods. Our steel care page covers the detail.

Made in the Czech Republic

Every piece we sell is made by hand in the Czech Republic. The smiths there work the way the trade has been worked for a long time, heating and hammering the steel, taking the bevels down by eye, and fitting the handle and the leather one at a time. There is no automated line anywhere in it, so small differences from one piece to the next are normal and expected.

Ransack Viking is a United States company based in Memphis, Tennessee. We bring the pieces in ourselves, inspect them on arrival and ship them from our own warehouse. If you add engraving, that is carried out here in the United States before your order goes out.

A note on handmade variation

This is hand made, not machine made or bulk produced, so what arrives will not be a pixel for pixel copy of the photograph. The Damascus pattern is unrepeatable, because every billet folds and draws out differently, so your blade will carry its own flow of bands. The leather on the tsuka varies in tone and grain because it comes from different hides. The hardwood saya is a natural material with its own figure and colour. Brass takes its patina at its own rate. The dimensions, the material and the build are the same every time. The character is not.

Frequently asked questions

Does it have a hamon

No, and anyone selling you a Damascus blade with a hamon should be asked hard questions. This blade is pattern welded, so the visible line work along the flat is the layer pattern, not a temper line.

Is it sharp when it arrives

Yes, it comes with a working edge. Ask in the order notes if you would prefer it blunt for display and we will do that at no extra cost.

Can I use it for tameshigiri or cutting practice

No. We sell this as a collector and display sword and it is not certified for cutting practice, partner training or contact work.

Will the brass tarnish

Yes, brass darkens over time and that is normal. Many owners prefer it. A soft cloth and a little brass polish will bring it back bright whenever you want.

Can I get a different design on the tsuba

Yes. Tell us in the order notes or use the engraving option. Bear in mind your design replaces the triquetra rather than joining it.

How long is the wait

One to two weeks of processing, then free US shipping. If you have a date in mind, put it in the order notes before ordering and we will tell you honestly whether it is achievable.

What is in the box

• Trinehilt Damascus wakizashi with triquetra engraved brass tsuba
• Dark hardwood saya with brown cord
• Care card for pattern welded carbon steel, brass and leather
• Lifetime warranty against defects in forging, grind, heat treat and fittings
• Forged and finished in the Czech Republic

Explore the range

See more in wakizashi, katana and Japanese swords and Damascus swords, or read the guides on pattern welded steel and blade care.